Title: On the edge of America: California modernist art, 1900-1950 
Author: Karlstrom, Paul J
Published: University of California Press,  1996
Subjects: Art | Art History | California and the West | United States History | Californian and Western History
Publisher's Description: To many, California's social and cultural identity has set it apart from the rest of the nation. Identified almost exclusively with Hollywood and popular culture, the entire region has been denied a meaningful relationship to mainstream twentieth-century modernism. This groundbreaking collection emphatically challenges that assumption. In essays about California art during the first half of the century, the contributors evoke a culture, now recognizable as modernist, that reflects the actual circumstances of contemporary West Coast artistic experience in all its richness. The subjects include painting, murals, sculpture, film, photography, and architecture.The issue of regionalism is central to this remarkable collection. How do we build a cultural portrait of an area that reveals its distinctive character while recognizing its participation in the larger art historical framework? Through the essays runs the theme of an alternative culture that transformed modernism to suit its own regional imperatives. Compelled by a sense of distance and the need for reinvention, California artists created traditions for a new cultural landscape and society. On the Edge of America is an enlightening and visually exciting addition to the growing literature on California art and culture. Through its fresh and expanded view of modernism, it is also well suited to the formulation of a truly national cultural narrative, one that embraces the edges as well as the center of American creative life.   [brief]
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Title: Unpacking Duchamp: art in transit 
Author: Judovitz, Dalia
Published: University of California Press,  1995
Subjects: Art | Literature
Publisher's Description: Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production.Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to material that mimics art without being readily classifiable as such. Her book questions his paradoxical renunciation of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works including The Large Glass , Fountain and Given 1) the waterfall, 2) the illuminating gas. Duchamp, a poser and solver of problems, occupied himself with issues of genre, gender, and representation. His puns, double entendres, and word games become poetic machines, all part of his intellectual quest for the very limits of nature, culture, and perception. Judovitz demonstrates how Duchamp's redefinition of artistic modes of production through reproduction opens up modernism to more speculative explorations, while clearing the ground for the aesthetic of appropriation central to postmodernism.   [brief]
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Title: A fable of modern art 
Author: Ashton, Dore
Published: University of California Press,  1991
Subjects: Art | Art History | Art Theory | Intellectual History
Publisher's Description: Dore Ashton's masterly analysis of modern art grows out of a consideration of Balzac's brilliant and little known 'philosophic' story The Unknown Masterpiece in which the concerns of Cézanne, Picasso, and the abstract expressionists are strikingly prefigured. Balzac's fable is discussed not only within the context from which it emerged - early nineteenth-century romanticism - but also in its embodiment of various attitudes towards art. Ashton illuminates a web of associations linking Balzac to Cézanne, Rilke, Schoenberg, Kandinsky and Picasso as they struggle with the yearning to express the inexpressible, to make concrete the abstract.As Professor Ashton develops the conjectures of her book she reveals the interrelations of literature, music, and art and the basic problems which engage or beset the contemporary artist and those who seek to understand and appreciate contemporary art. This is a book of extreme originality which ranges so widely and offers such valuable insights that it forms an important contribution not only to the history of art and culture, but also to the history of ideas.   [brief]
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Title: Painters and politics in the People's Republic of China, 1949-1979 
Author: Andrews, Julia Frances
Published: University of California Press,  1995
Subjects: Art | Art History | Asian Studies | China
Publisher's Description: Julia Andrews's extraordinary study of art, artists, and artistic policy during the first three decades of the People's Republic of China makes a major contribution to our understanding of modern China. From 1949 to 1979 the Chinese government controlled the lives and work of the country's artists - these were also years of extreme isolation from international artistic dialogue. During this period the Chinese Communist Party succeeded in eradicating most of the artistic styles and techniques it found politically repugnant. By 1979, traditional landscape painting had been replaced by a new style and subject that was strikingly different from both contemporary Western art and that of other Chinese areas such as Taiwan, Hong Kong, and Singapore.Through vivid firsthand accounts, Andrews recreates the careers of many individual artists who were forced to submit to a vacillating policy regarding style, technique, medium, and genre. She discusses the cultural controls that the government used, the ways in which artists responded, and the works of art that emerged as a result. She particularly emphasizes the influence of the Soviet Union on Chinese art and the problems it created for the practice of traditional painting.This book opens the way to new, stimulating comparisons of Western and Eastern cultures and will be welcomed by art historians, political scientists, and scholars of Asia.   [brief]
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Title: Latin American vanguards: the art of contentious encounters 
Author: Unruh, Vicky
Published: University of California Press,  1994
Subjects: Literature | Latin American Studies | Literary Theory and Criticism
Publisher's Description: In this first comprehensive study of Latin America's literary vanguards of the 1920s and 1930s, Vicky Unruh explores the movement's provocative and polemic nature. Latin American vanguardism - a precursor to the widely acclaimed work of contemporary Latin American writers - was stimulated by the European avant-garde movements of the World War I era. But as Unruh's wide-ranging study attests, the vanguards of Latin America - emerging from the continent's own historical circumstances - developed a very distinct character and voice.Through manifestos, experimental texts, and ribald public performance, the vanguardists' work intertwined art, culture, and the politics of the day to produce a powerful brand of aesthetic activism, one that sparked an entire rethinking of the meaning of art and culture throughout Latin America.   [brief]
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Title: Out of Eden: essays on modern art 
Author: Di Piero, W. S
Published: University of California Press,  1991
Subjects: Art | Art Criticism
Publisher's Description: Out of Eden presents the rigorous investigations and musings of a poet-essayist on the ways in which modern artists have confronted and transfigured the realist tradition of representation. Di Piero pursues his theme with an autobiographical force and immediacy. He fixes his attention on painters and photographers as disparate as Cezanne, Boccioni, Pollock, Warhol, Edward Weston, and Robert Frank. There is indeed a satisfying sweep to this collection: Matisse, Giacometti, Morandi, Bacon, the Tuscan Macchiaioli of the late nineteenth century, the Futurists of the early modern period, and the American pop painters.Di Piero's analysis of modern images also probes the relation between new kinds of image making and transcendence. The author argues that Matisse and Giacometti, for example, continued to exercise the religious imagination even in a desacralized age. And because Di Piero believes that the visual arts and poetry live intimate, coordinate lives, his essays speak of the relation of poetry to forms in art.   [brief]
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Title: The ultimate art: essays around and about opera 
Author: Littlejohn, David 1937-
Published: University of California Press,  1992
Subjects: Music | Opera
Publisher's Description: Anyone who cares about opera will find The Ultimate Art a thoroughly engaging book. David Littlejohn's essays are exciting, provocative, sometimes even outrageous. They reflect his deep love of opera - that exotic, extravagant, and perpetually popular hybrid performing art form - and his fascination with the many worlds from which it sprang.From its seventeenth-century beginnings, opera has been decried by its detractors for its elitism, its artifice, its absurd costliness, and its social irrelevance. But Littlejohn makes us see that opera embraces an extraordinary amount of intense human emotion and experience, Western culture, and individual psychology. It is also the most complex, challenging, and demanding form of public performance ever developed - at its most spectacular it pulls together in one evening a play, a concert, a ballet, and a pageant, not to mention an exhibition of painting and sculpture. Every opera is a veritable piece of cultural history.The book begins with "The Difference Is They Sing," a potentially controversial essay on the nature of opera and its place in modern culture. From there Littlejohn goes on to consider everything from "Sex and Religion in French Opera" to "What Peter Sellars Did to Mozart." He tells us about every major staging of Wagner's Ring cycle since 1876, the troubled fate (in legend, history, and opera) of the city of Nuremberg, and the volatile collaboration of Richard Strauss and Hugo von Hofmannsthal.Littlejohn presents these and many other fascinating moments in the history of opera with conviction and flair. By the end of the book the reader may very well be persuaded that opera is indeed the ultimate art.   [brief]
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Title: Broken tablets: the cult of the law in French art from David to Delacroix 
Author: Ribner, Jonathan P
Published: University of California Press,  1993
Subjects: Art | Art History | French Studies | European Literature | European History | Law
Publisher's Description: In this first study of art, law, and the legislator, Jonathan Ribner provides a revealing look at French art from 1789 to 1848, the period in which constitutional law was established in France. Drawing on several disciplines, he discusses how each of the early constitutional regimes in France used imagery suggesting the divine origin and sacred character of its laws.Primarily a study of art and politics, Broken Tablets discusses painting, sculpture, prints, and medals (many reproduced here for the first time), as well as contemporary literature, including the poetry of Alfred de Vigny, Alphonse de Lamartine, and Victor Hugo. Ribner assesses the ways in which legislation imagery became an instrument of political propaganda, and he clearly illuminates the cult of the law as it became personalized under Napoleon, monarchist under the Restoration, and defensive under Louis-Phillipe.   [brief]
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Title: Masking the blow: the scene of representation in late prehistoric Egyptian art 
Author: Davis, Whitney
Published: University of California Press,  1992
Subjects: Art | Art History
Publisher's Description: The meaning of late prehistoric Egyptian images has until now been tantalizingly mysterious, as little understood as the circumstances of their production. As a result, analyses of these images have been general and often incorrectly illustrated. Whitney Davis now provides a welcome remedy in this detailed reinterpretation of the images carved on ivory knife handles and schist cosmetic palettes. These images are among the most important documents of early Egyptian history and include the Narmer Palette, often considered the very inception of ancient Egyptian image making.Davis deciphers the intriguing pictorial narratives and complex metaphors of images that are concerned with "masking the blow" of the ruler. "Masking the blow" refers to the ways that the images - from hunted animals to human antagonists - represent, elide, or suppress the depiction of a ruler's violent act of conquering an enemy.Examining late prehistoric Egyptian images in light of contemporary visual theory and illustrating his analyses with excellent reproductions, Davis goes beyond the usual concern for stylistic development and iconographic meanings that characterize prior studies. His work will greatly interest art historians, archaeologists, anthropologists, and students of the visual arts.   [brief]
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Title: Historical economics: art or science? 
Author: Kindleberger, Charles Poor 1910-
Published: University of California Press,  1990
Subjects: Economics and Business | European History | United States History
Publisher's Description: Charles P. Kindleberger's writing has ranged widely in the past, from international economics to such specialized topics as the Marshall Plan. In recent years, however, his perspective has shifted to one that tempers the rigidity of technical economics with the flexibility of the liberal arts. Historical economics, drawing on history, politics, cultural anthropology, sociology, and geography, bridges the gap between abstraction and fact engendered by traditional conceptions of economic science. Inherently interdisciplinary, historical economics ultimately leads to a more meaningful understanding of contemporary economic phenomena.This selection of Kindleberger's work has been carefully culled to illustrate his approach to the subject. The essays cover a range of historical periods and in addition to his well known writing on financial issues also include European history and explorations of long-run changes in the American economy. Economists and historians, both the converted and the unconvinced, will want to consult this powerful argument for the importance of historical economics.   [brief]
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Title: The flight of the mind: Virginia Woolf's art and manic-depressive illness 
Author: Caramagno, Thomas C
Published: University of California Press,  1992
Subjects: Literature | English Literature | Autobiographies and Biographies | Women's Studies
Publisher's Description: In this major new book on Virginia Woolf, Caramagno contends psychobiography has much to gain from a closer engagement with science. Literary studies of Woolf's life have been written almost exclusively from a psychoanalytic perspective. They portray Woolf as a victim of the Freudian "family romance," reducing her art to a neurotic evasion of a traumatic childhood.But current knowledge about manic-depressive illness - its genetic transmission, its biochemistry, and its effect on brain function - reveals a new relationship between Woolf's art and her illness. Caramagno demonstrates how Woolf used her illness intelligently and creatively in her theories of fiction, of mental functioning, and of self structure. Her novels dramatize her struggle to imagine and master psychic fragmentation. They helped her restore form and value to her own sense of self and lead her readers to an enriched appreciation of the complexity of human consciousness.   [brief]
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Title: Late modernism: politics, fiction, and the arts between the world wars 
Author: Miller, Tyrus 1963-
Published: University of California Press,  1999
Subjects: Literature | Fiction | Art Theory | Cinema and Performance Arts | Politics | Political Theory | History
Publisher's Description: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer ; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.   [brief]
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Title: Singular women: writing the artist 
Author: Frederickson, Kristen 1965-
Published: University of California Press,  2003
Subjects: Art | Art History | Art Criticism | Art Theory | Women's Studies
Publisher's Description: In this groundbreaking volume, contemporary art historians - all of them women - probe the dilemmas and complexities of writing about the woman artist, past and present. Singular Women proposes a new feminist investigation of the history of art by considering how a historian's theoretical approach affects the way in which research progresses and stories are told. These thirteen essays on specific artists, from the Renaissance to the present day, address their work and history to examine how each has been inserted into or left out of the history of art. The authors go beyond an analysis of the past to propose new strategies for considering the contributions of women to the visual arts, strategies that take into account the idiosyncratic, personal, and limited rhetoric that confines all writers.   [brief]
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Title: Interpretation radical but not unruly: the new puzzle of the arts and history 
Author: Margolis, Joseph 1924-
Published: University of California Press,  1995
Subjects: Philosophy | Social and Political Thought
Publisher's Description: With this challenging work, Joseph Margolis continues the project begun in The Flux of History and the Flux of Science (California, 1993). Tackling one of philosophy's master themes, he develops the controversial thesis that the world is a flux. Here he applies this doctrine to Western theories of history and the interpretation of cultural phenomena - offering the first sustained analysis of the logic, methodology, and metaphysics of interpretation committed to a thoroughgoing relativism and the historicized structure of cultural phenomena. Versed in Anglo-American and Continental philosophy, Margolis draws on the best views of Western philosophy to investigate a topic regularly ignored in that tradition. The result is the surprising synthesis of two historically antipathetic approaches to philosophy.   [brief]
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Title: The "new woman" revised: painting and gender politics on fourteenth street 
Author: Todd, Ellen Wiley
Published: University of California Press,  1993
Subjects: Art | Art History | United States History | Women's Studies | American Studies
Publisher's Description: In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters - Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop - placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period.This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.   [brief]
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Title: The Enlightenment against the Baroque: economics and aesthetics in the eighteenth century 
Author: Saisselin, Rémy G. (Rémy Gilbert) 1925-
Published: University of California Press,  1992
Subjects: History | Economics and Business | Popular Culture | Art | Renaissance History
Publisher's Description: How do seemingly disparate arenas of Enlightenment philosophy, economic theories, boudoir etiquette, literary styles, and artistic modes coincide in the late eighteenth century? In this poetic essay on the evolution of the idea of luxury and art, Rémy Saisselin uses precise, witty examples to describe the development of our modern taste, ultimately the successor of the more spiritual and grand baroque goût . His analysis both illuminates and distinguishes between eighteenth-century and modern varieties of conspicuous consumption.This persuasive discourse depicts the rise of luxe as an escape from ennui and shows how, for the first time in European history, a large class of wealthy, leisured people emerged to make art, luxury, and the avoidance of boredom its preoccupation. Saisselin provides an original and lucid picture of the first phases in the emergence of a specifically bourgeois taste.   [brief]
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Title: The private worlds of Marcel Duchamp: desire, liberation, and the self in modern culture 
Author: Seigel, Jerrold
Published: University of California Press,  1997
Subjects: Art | History | Popular Culture
Publisher's Description: Marcel Duchamp is a founding figure of twentieth-century art and culture, the common source to which many contemporary movements trace their roots. His career has often been celebrated for its contradictions and discontinuities, its disparate parts unified only by their assault on the traditions of art. Jerrold Seigel offers a wholly different view, revealing a web of interrelated themes that unify Duchamp's work and tie it to his life.At the book's center is a reinterpretation of the famous "readymades," of which the urinal "Fountain" and the defaced Mona Lisa were the most shocking. By recovering their history, Seigel shows that their playful and rebellious surface veiled the meanings that linked them to Duchamp's pictures (especially the famous "Large Glass," here illuminated by a comprehensive new reading) and to his experiments with language. The result gives the artist's career the unity of a colorful and intricate puzzle.Behind that puzzle were the great modernist themes of isolation, perpetuated desire, and the imagined dissolution of the self. These themes entered Duchamp's mind both from his social and cultural environment and from the shaping experience of his family; around them were woven the patterns of working and loving that Seigel uncovers in his life. Duchamp emerges not just as a coherent, understandable personality, but as an exemplary one, his very eccentricities reflecting essential dimensions of modern experience.A mythic presence in modern culture, a hero whose story we tell for the sake of its valuable lessons, Duchamp opened the floodgates to a sea of questions about the nature and meaning of art. Seigel demands that we think again about these questions, and about the answers that Duchamp's heirs and followers have tried to give to them.   [brief]
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Title: Erotic faculties 
Author: Frueh, Joanna
Published: University of California Press,  1996
Subjects: Art | Gender Studies | Women's Studies | Literary Theory and Criticism | Art Theory
Publisher's Description: The erotic and the intellectual come together to create a new kind of criticism in the lushly written work of Joanna Frueh. Addressing sexuality in ways that are usually hidden or left unsaid, Frueh - a noted performance artist and art historian - explores subjects such as aging, beauty, love, sex, pleasure, contemporary art, and the body as a site and vehicle of knowledge. Frueh's language is explicit, graphic, fragmented. She assumes multiple voices: those of lover, prophet, daughter, mythmaker, art critic, activist, and bleeding heart. What results is an utterly original narrative that frees us from the false objectivity of traditional critical discourse and affirms the erotic as a way to ease human suffering.Through personal reflection, parody, autobiography, and poetry, Frueh shows us what it means to perform criticism, to personalize critical thinking. Rejecting postmodern, deconstructed prose, she recuperates the sentimental, proudly asserts a romantic viewpoint, and disrupts academic and feminist conventions. Erotic Faculties seeks to free the power of our unutilized erotic faculties and to expand the possibilities of criticism; it is a wild ride and a consummate pleasure.   [brief]
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Title: The two-headed deer: illustrations of the Rāmāyaṇa in Orissa 
Author: Williams, Joanna Gottfried 1939-
Published: University of California Press,  1996
Subjects: Art | Art History | South Asia
Publisher's Description: India's epic poem, the Ramayana, is a dramatic, ever-evolving tale of a prince and his bride, their adventures and dilemmas, and demons. Joanna Williams studies the art of the Ramayana in Orissa, a region known for its elegantly carved temples. There she researched both literary and visual art works, interviewed artists, and observed them at work.With depth and originality, Williams considers how Indian art tells a story in distinctive ways. Her narratological study takes into account many familiar genres of visual art: illustrated manuscripts, drawings on palm leaf paper, wall paintings, shadow plays, temple sculpture, and painted cloth pata . Included are discussions of pan-Indian versions of the epic, which include film, video, and the comic strip; and those local to Orissa, including rural theater and festivals.Noting that we often treat images designed to be seen in sequence as separate pictures, Williams argues that considering several Ramayana images in sequence reveals their qualities of variety, surprise, and emotional development, promoting an understanding of how the story is told. She discusses the artists' narrative strategies and offers interpretations of how and why artists made their choices.Williams persuasively argues against critics who believe that Indian art, indeed any traditional art, is conventional and lacks individual technique or vision. Her analysis across a variety of genres offers a new model for art historians; at the same time anthropologists, folklorists, and scholars of literature and narratology will find her work of great value.   [brief]
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Title: A critical study of Philip Guston 
Author: Ashton, Dore
Published: University of California Press,  1990
Subjects: Art | Art History | Art Criticism | Autobiographies and Biographies
Publisher's Description: Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist.Philip Guston (1913-1980) was one of the most independent of the painters whose work was loosely linked by the term "abstract expressionism" during the 1950s, and he baffled admirers of his lushly beautiful abstract expressionist paintings by moving abruptly in mid-career to gritty figurative paintings in an almost cartoon-like style. One of the few critics who saw this at the time as a progressive development in his work was Dore Ashton, who here analyzes Guston's paintings and drawings in the context of the cultural milieu in which he worked, illuminating the dilemma facing artists who try to live with, understand, and express both the ideals of art and the reality of the world.   [brief]
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